All Jan van Scorel Oil Paintings

Dutch 1495-1562 Jan Van Scorel Galleries Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works. In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere. Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels. Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands.
 

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Jan van Scorel Mary Magdalene oil on canvas


Mary Magdalene
Mary Magdalene
Painting ID::  33539
  mk86 1529 Oil on canvas 67x76.5cm Asmsterdam,Rijksmuseum
  mk86 1529 Oil on canvas 67x76.5cm Asmsterdam,Rijksmuseum

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Jan van Scorel Mary Magdalene oil on canvas


Mary Magdalene
Mary Magdalene
Painting ID::  40350
  mk156 c.1530 Oil on panel 67x76.5cm
  mk156 c.1530 Oil on panel 67x76.5cm

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Jan van Scorel huvud av ung flicka oil on canvas


huvud av ung flicka
huvud av ung flicka
Painting ID::  70780
  olja pa tra 23x28.5cm se
  olja pa tra 23x28.5cm se

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Jan van Scorel frambarandet i templet oil on canvas


frambarandet i templet
frambarandet i templet
Painting ID::  70781
  olja pa tra 85x114cm se
  olja pa tra 85x114cm se

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Jan van Scorel Maria Magdalena oil on canvas


Maria Magdalena
Maria Magdalena
Painting ID::  75774
  Oil on panel 67 ?? 76.5 cm (26.4 ?? 30.1 in) cjr
  Oil on panel 67 ?? 76.5 cm (26.4 ?? 30.1 in) cjr

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     Jan van Scorel
     Dutch 1495-1562 Jan Van Scorel Galleries Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works. In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere. Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels. Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands.

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